Friday, September 18, 2015

Meet the Poets: John Malvert.

Pimento Poets: Meet John Malvert.



Bumble bee

                      Engineers inform me 
that technically, 
the bumble-bee due to its weight, 
shape and size,
should not be able to fly,
as it defies 
all the known principles
of aero-dynamics.

Yet to every engineers’ surprise
it does!

How pleasant to know that even now, 
not everything,
Conforms to the so called
'norm' of things,
and that a bumble bee with wings,
                      has now become an enigma,
and carries the stigma 
of being called 
'odd.






Copyright by: J. Malvert 

'As I Am' by Paul Mein.

 As I am

He is a man,
as I am,
but he plots in palaces,
holy places, holes in the earth.
His words reach
to soldiers, apostates,
blind followers;
words wrapped around
misguided, blinkered philosophies;
bleak words, excluding words,
inflaming words;
words inciting to hatred, killing
with extreme prejudice ­ the women who dare
to bare their heads,
teachers and writers
who set minds free,
the wide­eyed orphan in
the bombed­out basement,
the doctor trapped by bodies
in bold­drenched corridors,
men like me ­whose ‘crime’ is to
be overheard, seen,
in the wrong place, wrong time.
So I run, walk, carry, crawl
with others like me,
to break, an exhausted wave,
on the razor wire
of far borders,
tear gas and batons
our welcome to uncertain freedom;
ripped from our birth-country
because a man, as I am,
decides which side
of colour, belief, tribe
is right or wrong;
a man, as I am,
who plots in palaces...

©     Paul Mein      26/8/15

Thursday, September 17, 2015

Next two meetings of Pimento Poets

Next two Meetings of Pimento Poets will be on :


Monday 12th October, 2015.


Monday 9th November, 2015.





Please add to your diaries if you haven't already done so.

Meet the Poets: Gerry Miller.

Gerry Miller

THE KISS
(or every Parent's Nightmare)

When he was born and came home with his mother
we were afraid on our own to look after our treasure.
When he lay still in his cot we looked at each other
and gave him a kiss to check he was breathing.

He was just a small child that first day at school.
Proudly we watched as he skipped with his friends up the lane.
He never looked back nor saw the tears in our eyes
as we blew him a kiss from hearts full of pain.

Later he walked to the Cubs with his friend
staying together and looking both ways at the kerb
before crossing the road, then straight home at the end.
Both going and coming too old for a kiss.

In his teens he loved going out in his bike
up and away when he saw the sun rise.
He was always home before darkness to tell us
where he had been. The kiss was in all our eyes.

When he started to drive he knew how we worried
and told us exactly where he would be.
He assured us that driving he never hurried
and gave his mother a kiss before going to bed.

Until that night. We both looked at each other
when the clock struck eleven and our hearts turned cold.
We made excuses and turned the t-v down
to hear the car come home. The kiss was on hold.

Minutes turned into hours and our feelings changed.
Telling each other there was nothing amiss
but increasingly angry because it was strange -
bewildered and aching to give him his kiss.

Saying nothing we knew we would have to ask
how he could treat us like this after all we had done,
and ask if the kisses meant nothing to him
when he knew how we worried until he came home.
The phone never rang. Lights went out all around.
Anger plotted how to deal with the boy. Night wore
on and off until the doorbell rang as daylight dawned
to silhouette a policeman standing at the door.

We were shamed of our anger as we were told
that our precious son did all he could to miss
the speeding driver. For hours he lay dead in a ditch.
And we were not there to give him his kiss.

Copyright by Gerry Miller.                  

www.gerrymillerpoetry.com

Thursday, September 10, 2015

Writers Live!

Writers Live!


Friday 13th. November
7p.m.



Southwell Library


Paul Mein presents this exciting opportunity for local writers
(of poetry, short stories, novels plays...) to perform their work
in public.

Book in advance for a 5 or 10 minute slot or come along and
listen to the wealth of talent we have in this area. Slots are
already being filled so please make sure you get your name
down soon.


Free event with light refreshment, bar available.


'Please contact Southwell Library on 01636 812148 to book a 5/10 minute slot.'


Thanks.

Thursday, September 3, 2015

New Readings by Pimento Poets on 11th September, 2015.

In connection with the recent exhibition 

‘Picture the Poet’ 
And the Summer School Photography event 

held at  Lincoln University


  Pimento Poets will be reading their poems on:  The Magna Carta, Freedom of Speech and Democracy.

  On Friday 11th September, 2015
  (10.30 – 12noon)

     At The Collection and Usher Gallery, Lincoln.
        

Poets reading will include:  Shirley Bell, Vernon Goddard, Susan Flower, Nic Lance, John Malvert, Celia McCulloch, Paul Mein, Gerry Miller, Paul Sutherland, Maureen Sutton,  and Susan Wallace. 

For free tickets please visit our Eventbrite page http://www.eventbrite.co.uk/e/pimento-poets-tickets-18324328560 or call The Collection on  01522 782040   


Teas and coffees provided  

Free Event.

All welcome.

Sunday, August 23, 2015

New poetry by Maureen Sutton.

Sir John Franklin’s Mitten
                 And Snow Shoes

I want to connect with your spirit,
place my feet upon your snow shoes,
imagine each determined step,
hear the ghostly echo of your footfall,
inhale scented remains of  leather boots.

I want to place my hand inside
your left-hand mitten,
touch its black baize cuff
feel the softness of red silk edging,
recover the warmth of your hand.

I want to read your watch and compass,
follow and time your route, count wild stars,
listen to the bull-seal’s roar, return to the
Northwest passage where the Intuits
in skin canoes found the way through.  

In this alien landscape howling gales
have sculptured ice and snow, forged
icebergs, opened and closed frozen waste.
I want to build you a cairn on the shoreline,
admire your courage, find your remains and
bring you back to Lincolnshire.



Copyright   Maureen Sutton     03 08 2015

Franklin and his 128 officers and crew died during the mission to find the Northwest Passage in the Canadian Artic.  The two ships-Erebus & Terror- were last seen on July26th 1845 at Baffin Bay.
 

The Beautiful Game by Susan Flower

THE   BEAUTIFUL   GAME

We scatter the last crumbs of home-made quiche
And iced cake for bird fodder as we shake our picnic remains
Onto Clumber Park’s grass – still verdant green patches
Thrive despite an August drought and a high summer wind
Makes the heat more tolerable as it snakes amongst tree-tops.

Three thousand eight hundred acres, once the country estate
Of the Dukes of Newcastle. Open heath, woodland, rolling farmland,
Swan-dotted lake, a ‘cathedral in miniature’ chapel, playgrounds
For children and adults, the ubiquitous National Trust merchandise
Of Orla Keirly woven red and blue picnic rugs, wine-goblets, flasks.

The air smells summer- green and herby, we rise from our blankets,
A racing-green painted seat, grab Evie’s ball won at Sheffield’s
Lucky Duck race and fan out in a roughly circular layout,
Clout a hand-ball, kick a high one, and flick an overhead pass.
It is fast, furious fun; the wind as light now as our thoughts.

Evie-May runs deftly as fast as her daddy-long legs
Can carry the full weight of her five and a half years,
Dribbling the ball a specialty, her aim and sense of direction
Charming in its youthful inaccuracy.  Her father plucks her up,
Swings her legs at the ball time and again; we are all dizzy


With laughter as the ball escapes to the lake-edge
Nested with swans and humans clustering its reeded banks.
Evie in hot pursuit, whooping at full-pelt, a red-headed whirl-wind.
The child retrieves the ball, runs back to the pitch, flings herself
Prostrate into its centre.  ‘Man down, man down!’ cries her father.

We make few concessions for her age but often neither does she,
Just envy her  extra stamina and realise we are the noisiest family
At Clumber Park today, but one having the most fun in breaking
Rules and making it up as we go; that’s life, the beautiful game.




Copyright    Susan Flower     2015

Tuesday, August 18, 2015

Two pieces of work by Shirley Bell.

My daughter says that when I'm dead she'll show her kids this picture
and they'll know me.


I'm encased in ivory faille, high necked, long sleeved, severe.
It's a kind of armour to protect me from the fear of falling, failing,
or of you failing to appear. I thought it would be less than this.
Dried flowers, witnesses pulled in from their everydays to ours,
a registrar, looking at his watch. Unfortunately your mum wants
more. Late born, her twinned afterthought, she has standards
for you, but my dad's dead and it's we who foot this bill.

We're ruthless and we cull the relatives: cheerfully eliminating
aunties, cousins, children under three, which went down
well. I hire the dress; that's cheap. I dress my bridesmaids up
in nighties. (Long, quite pretty, sprigged with flowers on navy blue
and I don't think that they knew). Practical, you always are, you
wear an ordinary suit. For everyday. The gale has flung my veil
across my face, daffodils are lurching, the dress and I are hurtling

to the porch. The choir is singing just for us. Later I learn your mum
has spent the journey down spotting crematoria and graveyards.
Over chicken, your dad gives me the gift of how much
he had disliked me when we met, but now I am OK. I'm not that
grateful. In this photograph I'm back in normal clothes again.
I'm looking at you with a minxy grin. We’re off to Paris. Hah! Later
I photoshop my auntie out and my son says that it is rather Stalinist.




Eavesdropping at the Almeida for Tina

I've started raiding people's lives for inspiration;

it's a shameless way of building up a poem.

You like the way I write my overheards but wish

they could be lighter. The hospital would be dark,

of course, but even in the library the talk was of

a funeral after which 'she can move on', which

I doubt. Now I'm eavesdropping at the Almeida,

hoping for some light-hearted piece of chatter,

polished to an anecdote.  It's my daughter's birthday.

We've come to see James's Turn of the Screw

and have already upset someone at the bar by

queue jumping by mistake. ‘Perhaps next time

you'll serve your customers in order’. We run away

with wine in plastic cups and prop them on the balcony.

It takes an age for us to see the steward in the stalls

is telling us to move them in case they fall and we feel

a bit embarrassed. While we wait for the first act

Im talks about her year in France. I used to go to stay

and she'd come to Lille to see me off. ‘Did I ever tell you

how a guy came up to me after you left? He asked me

to go back to his to make a sex film with him? I said

in French I don't understand because I can't speak French,

and 'Mais....' he said. 'But.... '’ We laugh a lot at this

and I think I'll write this down for Tina as it's still a kind of

exploitation, no? The play's had bad reviews, all the

nuances are gone. But it doesn't matter; obediently I jump

on cue at every scare. Though I do suspect

the audience should not be laughing quite as much as this.


Copyright  Shirley Bell




Skating with Father by Celia McCulloch

Skating with Father


Winter mist against the window glass,
the kitchen smells of oil-stove heat and cedar wax
and we're wearing thick wool socks that scratch
our legs. First we laid the pasty wax, my father and I,

and now his dark, tall figure begins to glide
across the floor. I try to follow but just can't slide
across the sticky goo until I put my feet in his smooth tracks
and then he swirls and loops as skaters do, over and back.

He hums his monotone of Skaters' Waltz. He spells words in wax
for me to guess. He whirls, hands held high, ballerina-style.
I do the same. Then I stand on his size 12 feet and we run across the tiles.
I follow every crazy move till we end up a giggling pile

as my mother comes through the door
stamping snow from her feet.      She frowns and we feel poor
excuses for workers, ashamed somehow. I simply asked you to polish the floor,
she says. Must you always make a game of work!


Copyright   Celia McCulloch